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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart

Samuel Ricke

2:27	Est. Play Time
40	Measures
	1,430Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		30	1	15	4	100%
Violino II.		25	1	14	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		30	1	15	4	100%
Violino II.		25	1	14	4	100%
Violoncello, Basso ed Organo.		33	0	12	4	86%
Viola.		25	0	14	4	80%
Fagotti.		22	15	11	7	78%
Alto.		13	0	5	5	77%
Soprano.		14	0	4	4	77%
Organ		31	22	15	6	76%
Trombone alto ed tenore.		16	0	8	7	76%
Trombone basso.		18	0	5	5	76%
Basso.		19	0	6	6	71%
Corni di Bassetto in F.		13	9	5	3	69%
Tenore.		17	0	8	7	68%
Trombe in D.		6	4	0	1	53%
Timpani in D.A.		4	0	0	1	51%

Fugue in E Minor, BWV 914, By Johann Sebastian Bach

Samuel Ricke

2:50	Est. Play Time
72	Measures
	1,430Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

Mozart: Symphony No. 40 in G Minor, K. 550: III. "Allegretto"

Samuel Ricke

4:41	Est. Play Time
88	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.		22	19	7	4	79%
		22	23	7	4	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.		22	19	7	4	79%
		22	23	7	4	86%
Flauto.		22	0	8	3	79%
Fagotti.		26	16	11	4	78%
Violino I.		22	0	7	4	75%
Contrabasso.		23	0	8	4	73%
Violoncello.		23	0	8	4	73%
Violino II.		26	2	7	4	73%
Viola.		20	3	6	3	67%
Clarinetti in B.		21	11	7	4	65%
Corni in G.		10	12	0	4	52%

Requiem in D Minor, K. 626, VII. Agnus Dei By W. A. Mozart

Samuel Ricke

2:56	Est. Play Time
51	Measures
	1,046Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso		18	0	6	3	94%
Violino I		29	2	10	6	94%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso		18	0	6	3	94%
Violino I		29	2	10	6	94%
Violoncello		18	0	6	3	94%
Viola		17	8	6	4	92%
Violino II		30	2	11	5	92%
Soprano		16	0	4	4	88%
Alto		14	0	5	4	84%
Basso		18	0	6	4	84%
Tenore		15	0	5	4	84%
Corni di Bassetto		20	0	6	6	73%
Fagotti		25	8	9	4	71%
Organo		20	32	9	4	69%
		16	2	6	3	69%
Trombone Alto		8	0	3	3	53%
Trombone Basso		13	0	5	3	53%
Trombone tenore		8	0	2	3	53%
Trombe in D		5	2	0	4	17%
Timpani in D, A		2	0	0	4	14%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist

Samuel Ricke

3:27	Est. Play Time
68	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
Organo e Continuo.		23	0	7	7	100%
Violone.		23	0	7	8	100%
Basso.		19	0	6	5	97%
Tenore.		17	0	4	6	96%
Alto.		15	0	3	6	88%
Soprano.		17	0	4	6	85%
Violino I.		20	0	4	7	78%
Oboe.		17	0	3	7	76%
Viola.		22	0	5	7	76%
Violino II.		21	0	5	7	76%
Fagotto.		19	0	4	7	75%
Tromba I.		12	0	2	6	60%
Tromba II.		10	0	1	6	60%
Tromba III.		8	0	0	5	54%
Timpani.		2	0	0	5	50%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

Mozart: Symphony No. 39 in E♭ Major, K. 543: IV. Finale "Allegro"

Samuel Ricke

8:06	Est. Play Time
266	Measures
	3,616Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		33	5	16	7	99%
Violino II.		31	19	13	5	96%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		33	5	16	7	99%
Violino II.		31	19	13	5	96%
Violoncello.		27	0	10	4	82%
Fagotti.		33	52	16	5	81%
Viola.		27	19	12	5	78%
Clarinetti in B.		24	48	7	5	77%
Basso.		27	0	10	4	76%
Flauto.		25	0	11	5	73%
Corni in Es.		13	20	3	5	71%
Trombe in Es.		7	8	0	5	50%
Timpani in Es.B.		2	0	0	4	42%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
View all 24 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
Continuo.		27	0	10	5	97%
Fagotti.		27	0	10	5	97%
Violone.		27	0	10	5	97%
Flauto traverso I.		22	0	7	5	93%
Flauto traverso II.		22	0	6	5	93%
Violino I.		21	0	3	6	87%
Oboe I.		19	0	4	6	86%
Oboe II.		18	0	5	6	86%
Violino II.		20	0	5	6	86%
Viola.		16	0	3	5	85%
Soprano I.		15	0	3	4	65%
Alto I.		15	0	4	4	65%
Soprano II.		18	0	5	4	63%
Alto II.		15	0	3	4	63%
Tenore I.		14	0	2	5	63%
Tenore II.		13	0	2	4	63%
Basso I.		19	0	6	4	62%
Basso II.		20	0	7	4	58%
Tromba I.		11	0	0	4	50%
Tromba II.		10	0	0	4	48%
Timpani.		2	0	0	4	38%
Tromba III.		7	0	0	5	38%

J.S. Bach: Magnificat in D Major, BWV 243 - XI. Sicut locutus

Samuel Ricke

1:46	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	36	4	6	93%
		17	0	2	5	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	36	4	6	93%
		17	0	2	5	98%
Fagotti.		15	0	2	5	98%
Organo e Continuo.		15	0	2	5	98%
Violone.		15	0	2	5	98%
Tenore.		11	0	1	5	87%
Alto.		11	0	1	5	79%
Basso.		13	0	2	5	79%
Soprano II.		11	0	1	6	77%
Soprano I.		13	0	2	5	62%

J.S. Bach: Mass in B Minor, BWV 232: III. Kyrie eleison (II)

Samuel Ricke

5:32	Est. Play Time
59	Measures
	1,257Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	0	8	6	100%
Violone.		23	0	8	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		23	0	8	6	100%
Violone.		23	0	8	6	100%
Tenore.		17	0	7	6	97%
Viola.		17	0	7	6	97%
Alto.		17	0	7	5	86%
Oboe II.		17	0	7	5	86%
Violino II.		17	0	7	5	86%
Flauto traverso I.II.		16	0	6	4	76%
Oboe I.		16	0	6	4	76%
Soprano I.II.		16	0	6	4	76%
Violino I.		16	0	6	4	76%
Basso.		20	0	7	5	75%
Fagotti.		21	0	7	5	75%

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